Mario Del Grosso<\/h1><\/div>Construction and Restoration of Harpsichords, Spinets and Fortepianos<\/h2><\/div>Each instrument made is the result of hard work and research that combines history, art and music, inviting us to rediscover the authentic splendor of the ancient musical tradition<\/p>\n<\/div><\/div><\/div>
![](\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%271920%27%20height%3D%2776%27%20viewBox%3D%270%200%201920%2076%27%3E%3Crect%20width%3D%271920%27%20height%3D%2776%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\")
<\/div><\/div><\/div><\/div>Harpsichord manufacturer<\/h2><\/div>Where art unites with tradition<\/h3><\/div>Mario Del Grosso is a builder and restorer of harpsichords, spinets and fortepianos. These are accurate replicas of prestigious historical instruments and currently preserved in global museums and private collections.<\/p>\n
These instruments are made with high-quality materials and according to strict philological criteria, combining accurate construction techniques and modern equipment.<\/p>\n
His workshop, in addition to production, is also dedicated to education on maintenance and tuning, enriched by collaboration with decorators and painters for the aesthetics of the instruments, evoking the historic synergy between makers and artists. Such instruments aim to honor the era of early music and its composers, offering instruments worthy of that musical legacy.<\/p>\n<\/div>
<\/div><\/div><\/div>![](\"https:\/\/harpsichord.it\/wp-content\/uploads\/2024\/02\/cembalo-img-1.webp\")
<\/span><\/div><\/div><\/div><\/div><\/i><\/i><\/span>Biography of Mario Del Grosso<\/span><\/a><\/h4><\/div>\nHe began his musical studies at the Genoa Conservatory, graduating in piano with PinaTelara and in harpsichord with Gabriella Gentili Verona. He then participated in the International Master Courses in harpsichord, basso continuo and baroque orchestra in Pamparato, Escorial, held by David Collyer, Aline Zylberajch and Gustav Leonhardt. His activity is mainly in early music. In fact, he has given numerous concerts both as a soloist and with singers, instrumentalists and orchestras in many Italian locations and abroad (USA, Canada, Sweden, Spain, Norway, Denmark, Germany, Hungary, Austria, France, and recently in China and Singapore). Lecturer at Early Music Courses in Cervo and Stresa from ’87 to ’91, he taught in various music courses financed by the European Social Fund aimed at the staging of baroque works. He has made A TV recording for RAI and several recordings for Qudrivium, Arion, Bongiovanni , Opus 111, Stradivarius, for the latter he recorded the sonatas and trios of G.B. Platti obtaining record award and reviews at the highest level. Completing his training is his activity as a builder and restorer of antique instruments. Finely technical-acoustic, finely decorated instruments he uses in his performances. Among the most important achievements is the first complete reconstruction, in Italy, of the Fortepiano A. Walter (Mozart’s fortepiano).<\/p>\n<\/div><\/div><\/div>
Construction and Restoration of Harpsichords, Spinets and Fortepianos<\/h2><\/div>Each instrument made is the result of hard work and research that combines history, art and music, inviting us to rediscover the authentic splendor of the ancient musical tradition<\/p>\n<\/div><\/div><\/div>
<\/div><\/div><\/div><\/div>Harpsichord manufacturer<\/h2><\/div>Where art unites with tradition<\/h3><\/div>Mario Del Grosso is a builder and restorer of harpsichords, spinets and fortepianos. These are accurate replicas of prestigious historical instruments and currently preserved in global museums and private collections.<\/p>\n
These instruments are made with high-quality materials and according to strict philological criteria, combining accurate construction techniques and modern equipment.<\/p>\n
His workshop, in addition to production, is also dedicated to education on maintenance and tuning, enriched by collaboration with decorators and painters for the aesthetics of the instruments, evoking the historic synergy between makers and artists. Such instruments aim to honor the era of early music and its composers, offering instruments worthy of that musical legacy.<\/p>\n<\/div>
<\/div><\/div><\/div><\/span><\/div><\/div><\/div><\/div><\/i><\/i><\/span>Biography of Mario Del Grosso<\/span><\/a><\/h4><\/div>\nHe began his musical studies at the Genoa Conservatory, graduating in piano with PinaTelara and in harpsichord with Gabriella Gentili Verona. He then participated in the International Master Courses in harpsichord, basso continuo and baroque orchestra in Pamparato, Escorial, held by David Collyer, Aline Zylberajch and Gustav Leonhardt. His activity is mainly in early music. In fact, he has given numerous concerts both as a soloist and with singers, instrumentalists and orchestras in many Italian locations and abroad (USA, Canada, Sweden, Spain, Norway, Denmark, Germany, Hungary, Austria, France, and recently in China and Singapore). Lecturer at Early Music Courses in Cervo and Stresa from ’87 to ’91, he taught in various music courses financed by the European Social Fund aimed at the staging of baroque works. He has made A TV recording for RAI and several recordings for Qudrivium, Arion, Bongiovanni , Opus 111, Stradivarius, for the latter he recorded the sonatas and trios of G.B. Platti obtaining record award and reviews at the highest level. Completing his training is his activity as a builder and restorer of antique instruments. Finely technical-acoustic, finely decorated instruments he uses in his performances. Among the most important achievements is the first complete reconstruction, in Italy, of the Fortepiano A. Walter (Mozart’s fortepiano).<\/p>\n<\/div><\/div><\/div>
Each instrument made is the result of hard work and research that combines history, art and music, inviting us to rediscover the authentic splendor of the ancient musical tradition<\/p>\n<\/div><\/div><\/div>
Harpsichord manufacturer<\/h2><\/div>Where art unites with tradition<\/h3><\/div>Mario Del Grosso is a builder and restorer of harpsichords, spinets and fortepianos. These are accurate replicas of prestigious historical instruments and currently preserved in global museums and private collections.<\/p>\n
These instruments are made with high-quality materials and according to strict philological criteria, combining accurate construction techniques and modern equipment.<\/p>\n
His workshop, in addition to production, is also dedicated to education on maintenance and tuning, enriched by collaboration with decorators and painters for the aesthetics of the instruments, evoking the historic synergy between makers and artists. Such instruments aim to honor the era of early music and its composers, offering instruments worthy of that musical legacy.<\/p>\n<\/div>
<\/div><\/div><\/div><\/span><\/div><\/div><\/div><\/div><\/i><\/i><\/span>Biography of Mario Del Grosso<\/span><\/a><\/h4><\/div>\nHe began his musical studies at the Genoa Conservatory, graduating in piano with PinaTelara and in harpsichord with Gabriella Gentili Verona. He then participated in the International Master Courses in harpsichord, basso continuo and baroque orchestra in Pamparato, Escorial, held by David Collyer, Aline Zylberajch and Gustav Leonhardt. His activity is mainly in early music. In fact, he has given numerous concerts both as a soloist and with singers, instrumentalists and orchestras in many Italian locations and abroad (USA, Canada, Sweden, Spain, Norway, Denmark, Germany, Hungary, Austria, France, and recently in China and Singapore). Lecturer at Early Music Courses in Cervo and Stresa from ’87 to ’91, he taught in various music courses financed by the European Social Fund aimed at the staging of baroque works. He has made A TV recording for RAI and several recordings for Qudrivium, Arion, Bongiovanni , Opus 111, Stradivarius, for the latter he recorded the sonatas and trios of G.B. Platti obtaining record award and reviews at the highest level. Completing his training is his activity as a builder and restorer of antique instruments. Finely technical-acoustic, finely decorated instruments he uses in his performances. Among the most important achievements is the first complete reconstruction, in Italy, of the Fortepiano A. Walter (Mozart’s fortepiano).<\/p>\n<\/div><\/div><\/div>
Where art unites with tradition<\/h3><\/div>Mario Del Grosso is a builder and restorer of harpsichords, spinets and fortepianos. These are accurate replicas of prestigious historical instruments and currently preserved in global museums and private collections.<\/p>\n
These instruments are made with high-quality materials and according to strict philological criteria, combining accurate construction techniques and modern equipment.<\/p>\n
His workshop, in addition to production, is also dedicated to education on maintenance and tuning, enriched by collaboration with decorators and painters for the aesthetics of the instruments, evoking the historic synergy between makers and artists. Such instruments aim to honor the era of early music and its composers, offering instruments worthy of that musical legacy.<\/p>\n<\/div>
<\/div><\/div><\/div><\/span><\/div><\/div><\/div><\/div><\/i><\/i><\/span>Biography of Mario Del Grosso<\/span><\/a><\/h4><\/div>\nHe began his musical studies at the Genoa Conservatory, graduating in piano with PinaTelara and in harpsichord with Gabriella Gentili Verona. He then participated in the International Master Courses in harpsichord, basso continuo and baroque orchestra in Pamparato, Escorial, held by David Collyer, Aline Zylberajch and Gustav Leonhardt. His activity is mainly in early music. In fact, he has given numerous concerts both as a soloist and with singers, instrumentalists and orchestras in many Italian locations and abroad (USA, Canada, Sweden, Spain, Norway, Denmark, Germany, Hungary, Austria, France, and recently in China and Singapore). Lecturer at Early Music Courses in Cervo and Stresa from ’87 to ’91, he taught in various music courses financed by the European Social Fund aimed at the staging of baroque works. He has made A TV recording for RAI and several recordings for Qudrivium, Arion, Bongiovanni , Opus 111, Stradivarius, for the latter he recorded the sonatas and trios of G.B. Platti obtaining record award and reviews at the highest level. Completing his training is his activity as a builder and restorer of antique instruments. Finely technical-acoustic, finely decorated instruments he uses in his performances. Among the most important achievements is the first complete reconstruction, in Italy, of the Fortepiano A. Walter (Mozart’s fortepiano).<\/p>\n<\/div><\/div><\/div>
Mario Del Grosso is a builder and restorer of harpsichords, spinets and fortepianos. These are accurate replicas of prestigious historical instruments and currently preserved in global museums and private collections.<\/p>\n
These instruments are made with high-quality materials and according to strict philological criteria, combining accurate construction techniques and modern equipment.<\/p>\n
His workshop, in addition to production, is also dedicated to education on maintenance and tuning, enriched by collaboration with decorators and painters for the aesthetics of the instruments, evoking the historic synergy between makers and artists. Such instruments aim to honor the era of early music and its composers, offering instruments worthy of that musical legacy.<\/p>\n<\/div>
<\/span><\/div><\/i><\/i><\/span>Biography of Mario Del Grosso<\/span><\/a><\/h4><\/div>\nHe began his musical studies at the Genoa Conservatory, graduating in piano with PinaTelara and in harpsichord with Gabriella Gentili Verona. He then participated in the International Master Courses in harpsichord, basso continuo and baroque orchestra in Pamparato, Escorial, held by David Collyer, Aline Zylberajch and Gustav Leonhardt. His activity is mainly in early music. In fact, he has given numerous concerts both as a soloist and with singers, instrumentalists and orchestras in many Italian locations and abroad (USA, Canada, Sweden, Spain, Norway, Denmark, Germany, Hungary, Austria, France, and recently in China and Singapore). Lecturer at Early Music Courses in Cervo and Stresa from ’87 to ’91, he taught in various music courses financed by the European Social Fund aimed at the staging of baroque works. He has made A TV recording for RAI and several recordings for Qudrivium, Arion, Bongiovanni , Opus 111, Stradivarius, for the latter he recorded the sonatas and trios of G.B. Platti obtaining record award and reviews at the highest level. Completing his training is his activity as a builder and restorer of antique instruments. Finely technical-acoustic, finely decorated instruments he uses in his performances. Among the most important achievements is the first complete reconstruction, in Italy, of the Fortepiano A. Walter (Mozart’s fortepiano).<\/p>\n<\/div><\/div><\/div>
He began his musical studies at the Genoa Conservatory, graduating in piano with PinaTelara and in harpsichord with Gabriella Gentili Verona. He then participated in the International Master Courses in harpsichord, basso continuo and baroque orchestra in Pamparato, Escorial, held by David Collyer, Aline Zylberajch and Gustav Leonhardt. His activity is mainly in early music. In fact, he has given numerous concerts both as a soloist and with singers, instrumentalists and orchestras in many Italian locations and abroad (USA, Canada, Sweden, Spain, Norway, Denmark, Germany, Hungary, Austria, France, and recently in China and Singapore). Lecturer at Early Music Courses in Cervo and Stresa from ’87 to ’91, he taught in various music courses financed by the European Social Fund aimed at the staging of baroque works. He has made A TV recording for RAI and several recordings for Qudrivium, Arion, Bongiovanni , Opus 111, Stradivarius, for the latter he recorded the sonatas and trios of G.B. Platti obtaining record award and reviews at the highest level. Completing his training is his activity as a builder and restorer of antique instruments. Finely technical-acoustic, finely decorated instruments he uses in his performances. Among the most important achievements is the first complete reconstruction, in Italy, of the Fortepiano A. Walter (Mozart’s fortepiano).<\/p>\n<\/div><\/div><\/div>
![](\"https:\/\/harpsichord.it\/wp-content\/uploads\/2024\/02\/clav-logo-dark-60px-1.webp\"){kind=logo}
<\/span><\/div>